Albums

LONE

LONE

Reviews

Wide-eyed, optimistic promise, spooky vocal lines and drums that SBTRKT would kill for

IRON CURTIS

IRON CURTIS

Reviews

It’s an elegant and intense affair, borrowing from classic Detroit and Chicago tropes but also London’s bass scene.

BRACKLES

BRACKLES

Reviews

You won’t find much wonderful weirdness here, but you will be treated to a treasure trove of carnival house that will soundtrack a heatwave perfectly.

MOTOR

MOTOR

Reviews

Motor’s latest touts 11 goth-electro songs that sit midway between Depeche and classic industrial popsters Nitzer Ebb

MIGHTY MOUSE

MIGHTY MOUSE

Reviews

We’re used to the Mighty Mouse sound now, so this isn’t as fresh as ‘Disco Circus 1’, but as a ‘get-in-the-mood-to-go-out’ mix it really does the trick

SOUL CLAP

SOUL CLAP

Reviews

Following a volley of singles and comps dating back to ’08, Charles Levine and Eli Goldstein finally deliver their debut album

DISTAL

DISTAL

Reviews

Dubstep in the USA means Skrillex, Excision and non-stop nosebleed noise, right? Wrong.

BATTLES

BATTLES

Reviews

This remix compilation is a Who’s Who of the electronic left field, but doesn’t quite retain the character of the album.

RENAISSANCE MAN

RENAISSANCE MAN

Reviews

Such were the rich sounds that fidgety tech-house duo Renaissance Man produced on their debut for Tiga’s Turbo that a remix album was always going to attract talent

RUSKO

RUSKO

Reviews

Mostly it’s party music, pure and simple

JOHN DALY

JOHN DALY

Reviews

Understated and classy, this sits somewhere between Lindstrøm’s less experimental output and recent offerings from Jay Shepheard

NOISIA

NOISIA

Reviews

This deluxe, remixed edition of their 2010 breakthrough has all the scale and sensory barrage of a Transformers film on an IMAX screen. In 3D.

Recommendations

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